Where We Left Off
We're down to 6 dude-bros. The gentlemen who lost Cotillion last week were:
Ryan, the guy who probably beats women.
and Travis, because he brought an ostrich egg on a national television show to symbolize love.
Emily and the guys travelled to Croatia where they stood on rocks and rode donkeys in Scottish kilts because they were not in Scotland. Main takeaways from the episode were:
- Doug, the guy who I presumed was using his child as bait to get laid before I realized he's probably gay, is probably gay.
- Ryan, the guy who probably beats women with Chris Brown in his free time, was eliminated by Emily because she just couldn't tell if he's a good guy or not because he did everything short of actually hitting her.
- Chris, the guy who looks like Gerard Butler, is not Gerard Butler because he's bad at everything that requires "man".
This week we're off to Prague, the place producers of the show have heralded as one of the most romantic cities in the world because that's in no way an aggressive overstatement about the Czech Republic. Previews dictate that Arie the wet blanket has a huge secret about previously dating a producer of the show (the secret is that he previously dated a producer of the show), someone is gonna make out on a floor and that there aren't any cats here. One-on-one's this week are with Jef with one F, the guy who just gave someone in africa a bottle of water because he's better than you, Wolf, the guy whose aggressive nickname still hasn't been explained to us for some reason, and Arie, the guy who is a wet blanket who used to be doing Emily's friend who is also a producer of the show (and not the Indian woman she hangs out with from time to time in North Carolina, and by time to time I mean "when it's for the tv").
The episode opened with a shot of emily carrying her own luggage around the streets of Prague, because it's absolutely believable that this is her only bag and that she is carrying it herself.
Once she gets settled, she walks around and stares off into the distance in about 13 locations because her life is hard.
The dude-bro's meet up with the host and he asks them if they are ready for this. I'm sort of bummed that one dude doesn't just randomly yell, "NO," throw his hands in the air, wave them back and forth and run away. Alas, they are, in fact, ready for this.
The guys are staying at a hotel named The Aria, which is funny because it's like the feminine version of Arie the wet blanket's name and I'm sure no one said that to him.
Arie sticks his head out of the hotel window and yells, "HELLO PRAGUE!" and I imagine Sean (the guy who is probably going to win) is probably so pissed that he didn't get to yell "PRAGUEEE!!!" out the window like he does at least once upon arriving in every city to let people know that he does, in fact, know the city and/or country that he is in.
Arie learns that he will have the first one-on-one with Emily, and Gerard Butler begins his episode-long nervous breakdown because he wanted the date and it's not fair. Nnnno. NnnnnnnO.
Doug gives Emily a really uncomfortable hug to let us know that he's not gay, or maybe just himself.
Look at this clock. Many people have looked at this clock. I made up that thought all by myself with no help.
Arie's date card says that he and Emily are going to "czech" out Prague together, which is a play on words because they are in the Czech Republic.
Emily stares at a clock and tells Arie that it's cool to stare at that clock where they are standing and staring at that clock because other people have stood there and stared at that clock before.
If they showed a picture book to Emily with a circle and a square and told her to point at the square and then she pointed at the square and she was rewarded with a treat at this exact moment, I wouldn't even blink.
They walk by old buildings and Arie tells Emily that it would be incredible if they got married at one of these giant cathedrals, because that's a totally rational thing to say to someone on your second date while she's also dating five other dudes that are your roommates.
At this point, the episode takes 4,208 hours to explain to us in some weird Public Service Announcement format that the rumors you've read in US Weekly are true and that Arie did, in fact, date a producer from the show years ago. We then go back to the actual show and witness Emily go into full crazy-bitch mode, as she passive aggressively baits Arie over and over trying to get him to admit to this, yet won't just ask him. So, basically, how it works in real life.
We are then notified that Arie, the producer and Emily had a secret meeting to talk about it and it's all water under the bridge. Nobody cares, and I'm angry that no one is saying anything I can make fun of, because if not then what is the point of all this.
Arie and Emily make up from their television relationship fight on a boat and Arie pulls the wettest of the wet blanket moves and tells Emily that he loves her. To be clear: a guy just said on national television that he is in love with a woman who he has been on two dates with, one in which he spent half of the time defending the fact that he used to do her friend.
Arie does the once-an-episode creepy hand thing.
They make out a little bit more after she doesn't say I love you back, and the guy whose only job is to make sure the lighting is good is presumably fired.
Emily says that she doesn't feel like Arie is the kind of guy who just throws the word love around, which is weird because he's a wet blanket who probably tells a checkout clerk that he loves her after he enters his Safeway club card number and gets discounts.
Back at the hotel, Doug goes out on a limb and says that if he had to take a guess, he's almost for sure that they're having dinner somewhere, and Gerard Butler says that he's bummed but not showing it by pouting, and then pouts.
This lock not closing is a sign that we are not in love, as opposed to the fact that we do not love each other in any way, shape or form.
On Wolf and Emily's one-on-one date, they go to the John Lennon Wall where people draw pictures of things that mean something to them. They decide to draw a boat, because Wolf likes boats and they've been on a boat. So, you know, obvious go-to. The boat they paint could have been drawn better by her six year old daughter.
Because Emily loves symbolism (even if she might not know how to spell that word), they go to some fence where you write your name on a lock and put it on the fence. Wolf has a hard time closing the lock.
It's this that tells Emily that they might not be meant for each other, not the fact that they are two people who have chosen to find the person they will marry on a national round robin television tournament.
Back at the hotel, Gerard Butler continues his nervous breakdown and says he's on edge because everyone gets to go on the dates but him and it's not fair. Then he sits on the edge of a window sill and stares off into the distance, thinking about the next Gerard Butler film he'll star in.
Wolf and Emily have dinner in some creepy dungeon that looks like a room from the film Kiss the Girls.
Back at home, Sean finds out that he is stuck with a group date as opposed to a one-on-one and decides to go out into the streets of Prague to find Emily. To do so, he yells, "EMILY!" over and over (much like he does the names of countries/cities he arrives in) because that's how you find people in metropolitan cities.
He finds her just walking around a dark alley at night, which seems pretty safe, and then pulls an Arie and eats her face.
Let's take a horse ride to a castle because I'm the prettiest princess of them all.
For the group date, Sean, Gerard Butler and Doug go on a horse-drawn carriage ride to a castle with Emily, because she is a pretty pretty princess.
It's raining and Doug asks her if she's getting wet. I laugh, because that's funny.
At the castle, Doug sits far away from Emily and crosses his arms. I think to myself that anyone who's ever read US Weekly's body language expert section would know that this is the worst thing you can do, as it shows you are closed off and may have a fear of intimacy.
Emily then makes this exact comment about his body language, and I wonder to myself if it's not Doug that's gay, but in fact me.
Doug then kisses Emily as she is telling him he will be leaving the show because she's just not that into him, and Doug gets sad and says that he thinks his girl radar is totally broken.
Yes, Doug. It is broken. Because you are most likely a homosexual.
He then cries again and makes the boo-boo face as he's driven away.
Now that the date is down to just two dude-bro's, Sean and Gerard Butler each get to spend one-on-one time with Emily. To find out who will first, she arbitrarily hands out a giant key to each of them, only one of which will open the door to the room she'll hang out in first.
Sean's key opens the door. He lets us know that his key is a big key. That, "this is a man's key," with a, "hey ladies, I think you know what I'm talking about" look.
When Gerard Butler finally gets to sit down with Emily, he continues his meltdown and says that he went a little crazy yesterday because he didn't get a one-on-one date and sort of gets angry at her, which is a surefire way to convince a woman that you're someone they should sleep with. They go back outside and Emily gives a rose to Sean and not Gerard Butler, and then kisses him while Gerard Butler has to watch, which is really good for his mental breakdown.
Gerard Butler says that if he doesn't get a rose this week, he'd be scared for anyone around him, and I'm starting to wonder if Sleeping With The Enemy is coaching him through a tiny earpiece.
Tell a doll version of me that you love it to signify that you love me too, because we're grown-ups.
For their one-on-one date, Jef with one F and Emily go to a marionette shop and buy dolls that symbolize them and Ricki. Nothing weird about that.
One of the dolls they play with is Michael Jackson, which is an awfully strange coincidence.
Jef with one F is remarkably good with the marionette dolls. Like, almost too good. Maybe he puts on shows in Africa at well opening parties. Who knows.
They go to some huge library and put on a puppet show for each other in which they re-enact every interaction they've ever had so far as puppets of themselves, because this is how adults tell each other what they are feeling for each other.
Puppet Jef with one F says I love you for the first time to Puppet Emily and then Real Jef with one F tells Real Emily that he really likes her, because only Puppet Jef with one F loves her.
They lay on a floor, and Emily says, "there aren't many people I can lay on the floor with and still be really happy." No one has any idea what this means.
Jef with one F continues his dazzling performance and basically solidifies his place as the next Bachelor when he inevitably loses to Sean by saying, "I wanna date you so hard and marry the fuck out of you." I call my girlfriend, horrified that she's at a bar with Jef with one F somewhere.
At this exact moment, I'm mortified to learn that I'm actually pro Jef with one F.
It's a wet blanket contest, and Gerard Butler is winning.
Back at the rose ceremony, they play sad violin music, because Prague is where the sad violin music is played.
Emily casually looks at pictures of all the guys next to candlelight like it's a funeral, because if you were trying to choose between two people to date in real life, you'd probably just grab their high school portraits, frame them and look at them over soft, depressing lighting.
Gerard Butler cries because it's not fair that they don't get to talk to Emily this week, and he presumes he's going to be eliminated.
Before she gives out the last rose to either Gerard Butler or Wolf, Gerard Butler interrupts her and asks to speak with her. Total bro-foul. However, this clearly sways Emily to pick him and not Wolf, and i'm pretty sure we've got ourselves a new villain.
Here's hoping I'm right about Sleeping with the Enemy calling the shots from home.
Doug, the guy who was probably gay.
and Wolf, because Gerard Butler totally bro-fouled him, and now we'll never know why he's nicknamed "Wolf" so I hope you're happy Gerard Butler.
SURPRISINGLY NOT ELIMINATED:
Gerard Butler, because he is not emotionally stable, and that's saying a lot on a show called The Bachelorette.
Arie, because he still does the thing that her dead husband did for a living.
Jef with one F, because GOD dammit I'm starting to like this guy.
and Sean, because he's got a man's key.
See you next week, everyone.
Stream the whole thing at the link above.